Full credits Executive Producer : Charles GassotDirector : Agnès JaouiScreenwriters : Agnès Jaoui, Jean-Pierre BacriActors : Agnès Jaoui, Jean-Pierre Bacri, Anne Alvaro, Alain Chabat, Gérard Lanvin, Brigitte Catillon, Anne Le Ny, Christiane Millet, Wladimir Yordanoff, Raphaël Defour, Xavier de Guillebon , Jean-Pierre Darroussin, Emmanuel WOLFER, Brahim AIT-el-Kadi, Réginald Huguenin, Scali Delpeyrat, Michel CacciaCo-producer : Christian BérardDirector of Photography : Laurent DaillandSound Recordist : Jean-Pierre DuretProduction Manager : Daniel ChevalierPress Attaché (film) : Joëlle Benchimol Editor : Hervé Luze (de)Production Designer : François Emmanuelli Music Composer : Jean-Charles JarrellStunt performer : Yoni RochCostume Designer : Jackie Stephens-Budin Film production and distribution Statistics International distribution
: Theatrical releases
Chile
: Independent Chile Released 12/20/01 NEW YORK
: Offline Releasing Released 2/9/01 Taiwan
: Archer Released 12/16/00 USA
: Offline Releasing Released 2/9/01
International distribution
: Video releases
Technical details Feature film, Fiction Production language : French Nationality : 100% French (France) Production year : 1999 French release : 01/03/2000 Runtime : 2h Current status : Released Visa issue date : 28/01/2000 Approval : Yes Production formats :
35mm Color type : Color Aspect ratio : CinemaScope Official website : www.legoutdesautres.com Synopsis A business executive meets an actress who's the friend of a barmaid who meets a bodyguard who works with a chauffeur who drives an interior decorator who's the wife of the business executive who would like to be friends with the artists who…
There's no accounting for people's tastes.
That's why some people should never mix. Because you can't rub up against social and cultural barriers without causing trouble. Summary As soon as I started writing “It Takes All Kinds,” I knew that I was going to direct it, but I tried not to think about it too much because it made me nervous. Jean-Pierre and I started out wanting to write a thriller, but we had trouble working it into the chosen theme, which was about money and honor. I remember that at that point, the only images that came to mind were of American movies. I couldn’t conjure up my own visual imagery. When we began writing, certain images surfaced, certain passages of music that appealed to me, but then I stopped thinking about it. I told myself, first things first! Focus on the writing! When the film finally went into pre-production, although I was scared that I had no technique, I still felt safe knowing that I knew how to direct actors.
Agnès Jaoui, director (from an interview in Unifrance Newsletter No. 22) Festival selections Awards |