In All Innocence
Synopsis
Two totally contrasting worlds exceptionally collide when a penniless, rootless girl barges into a rich, reputable lawyer’s office. Their two worlds live at different speeds, play different music, sleep at different times and dream different dreams. The one thing they have in common is love.
Credits
Director (1)
Actors (28)
Production and distribution (4)
- Executive Producer : Légende
- Co-production : France 2 Cinéma
- Film exports/foreign sales : BAC Films
- French distribution : BAC Films
Full credits (17)
- Executive Producer : Alain Goldman
- Screenwriter : Roselyne Bosch
- Director of Photography : Pascal Ridao
- Music Composers : Serge Perathoner, Jannick Top
- Assistant directors : Douglas Law, Mathieu Thouvenot
- Editor : Yves Deschamps
- Sound Recordist : Pierre Excoffier
- Costume designer : Valérie Pozzo Di Borgo
- Author of original work : Georges Simenon
- Production Manager : François Hamel
- Sound Editor : strAtos
- Assistant editor : Charlotte Teillard D'Eyry
- Production Designer : Thierry Flamand
- French Distributor : Jean Labadie
- Sound Mixer : William Flageollet
- Still Photographer : Monica Jeriorowska
- Location managers : Sylvain Bouladoux, Pascal Ralite
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Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Drama
- Production language : French
- Original French-language productions : Unspecified
- Nationality : 100% French
- Production year : 1998
- French release : 25/11/1998
- Runtime : 1 h 40 min
- Current status : Released
- Visa number : 93.634
- Visa issue date : 21/10/1998
- Approval : Yes
- Production formats : 35mm
- Color type : Color
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International releases
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News & awards
Selections (2)
About
"In All Innocence” is a beautiful film, powerfully structured, hard-hitting and masterfully played by a virtuoso quartet. Lanvin displays the same intensity as in Nicole Garcia’s “Le fils préféré”, Bouquet is admirably strong and on target (this will remain one of her greatest performances) and the two younger players are right up to the mark. Virginie Ledoyen is one of the greats and Guillaume Canet deserves a special mention for a punchy naturalness that could well earn him a nice surprise at the César awards some day soon. (“Le Parisien”, November 25th 1998)
