Synopsis
Vincent returns from Rabat, where he failed to find the childhood home of his father, who left Morocco when it gained independence. On his way to the hospital where his father is dying, Vincent meets Ahmed, a Moroccan student.
Credits
Director (1)
Actors (3)
Production and distribution (3)
- Executive Producer : Punchline Cinéma
- Line production : Godolphin Films S.A.
- Film exports/foreign sales : Punchline Cinéma
Full credits (16)
- Executive Producers : Lucas Tothe, Jessica Arfuso
- Screenwriter : Lucas Gloppe
- Director of photography : Éva Sehet
- Assistant directors : Clara Mulot, Raphaël Vinchon
- Editor : Baptiste Petit-Gats
- Sound Recordist : Thomas Van Pottelberge
- Costume designer : Rachèle Raoult
- Line Producer : Ramses Mahfoudh
- Assistant Operators : Emmanuelle Gary, Aliénor Taupier
- Production Manager : Joseph Sacuto
- Sound editor : Claire Ladenburger
- Continuity supervisor : Sophie Bouteiller
- Production Designer : Euiyop Louis Jung
- Casting : Raphaël Vinchon, Géraldine Delay
- Make-up Artist : Marie-Élise Valnet
- Sound Mixer : Gilles Bénardeau
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2025
- Runtime : 27 min 18 seconds
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : 5.1
- Rating restrictions : None
News & awards
Selections (1)
Clermont-Ferrand International Short Film Festival
France, 2026
International Competition
National Competition
About
| Based on the novel Celui qui est digne d'être aimé by Abdellah Taïa, published by Éditions du Seuil. |
| D'après le roman Celui qui est digne d'être aimé d'Abdellah Taïa, publié aux Éditions du Seuil. |
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
