Synopsis
Jerada is a mining town in Morocco, where coal extraction - officially halted in 2001 - has continued informally to this day. L'mina reconstructs current activity in the pits through a set designed in collaboration with the local residents who perform their own roles on screen.
Credits
Director (1)
Production and distribution (4)
- Executive Producer : Shatamata Production
- Foreign production companies : Tifaw Films, Fondazione In Between Art Film, Doha Film Institute
- Associate producer : may studio
- Film exports/foreign sales : Square Eyes
Full credits (14)
- Executive producers : Randa Maroufi, Oumayma Zekri Ajarrai
- Directors of Photography : Luca Coassin, Wiame Haddad
- Editors : Céline Perréard, Randa Maroufi
- Sound Recordist : Anouar Ait Raho
- Foreign producers : Leonardo Bigazzi, Rim Mejdi
- Voice-overs : Amine Mkallech, Sanae Assif
- Sound editors : Sara Kaddouri, Randa Maroufi
- Production Designers : Khalid Al Attafi, Anas Yamine
- Special Effects : David Rodes, Ugo Nicolas
- Visual effects : Mouad Messoudi
- Grader : Julia Mingo
- Make-up Artist : Karima Ait Boukhima
- Sound Mixer : Christian Cartier
- Unit Production Manager : Mohammed Hakmi
Media Gallery
Technical details
- Type : Short film
- Genres : Experimental, Documentary, Fiction
- Sub-genre : Video art, Auteur documentary, Research - Experimental
- Themes : Society, Politics, Work
- Production language : Arabic
- Coproducer countries : France (68.0%), Italy (14.0%), Morocco (11.0%), Qatar (7.0%)
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Italy, Morocco, Qatar)
- Production year : 2025
- Runtime : 26 min
- Visa number : 164.596
- Production formats : HD 2K
- Color type : Color
- Aspect ratio : 1.85
- Audio format : 5.1
- Rating restrictions : None
News & awards
News (7)
Selections (8)
Awards (1)
Resources
Festivals Listing(1)
DownloadL'mina
(pdf - 28 Ko)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
