Where Do We Come From? What Are We? Where Are We Going? 1897, Paul Gauguin
Synopsis
A film from the Les Petits Secrets des grands tableaux collection - Season 3
The reclusive Paul Gauguin painted Where Do We Come From? What Are We? Where Are We Going? (1897) during his self-imposed exile in Tahiti, a lost paradise marred by colonial folly. This imaginary pantheon, which he saw as his moral and artistic legacy, marked the entry of primitive arts into modern art.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : Les Poissons Volants
- Co-productions : ARTE France, Rmn - Grand Palais, Réseau Canopé, Musée d'Orsay
Full credits (11)
- Executive Producer : Sophie Goupil
- Screenwriters : Yves Nilly, Élisabeth Couturier
- Music Composer : Sébastien Gaxie
- Sound Recordist : Stéphane Larrat
- Voice : Clémentine Célarié
- Production manager : Saskia Nilly
- Sound Editor : Simon Apostolou
- Special Effects : Jeff Azzopardi, Sandrine Belmont, Mihai Grecu, Maxime Viancin
- Grader : François Lavignotte
- Sound mixer : Marie-Odile Dupont
- Production Manager : Sylvain David
Media Gallery
Technical details
- Type : Short film
- Genres : Animated film, Documentary
- Sub-genre : 2D & 3D animation
- Themes : Art, Painting, History
- Production language : French, English, German
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2016
- Runtime : 26 min
- Production formats : Digital creation
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
News & awards
About
Thanks to digital animation, the details of masterpieces of art history come to life to recount the spirit of the time and the upheavals of history: wars, revolutions, economic transformations, scientific discoveries, beliefs, and schools of thought.
Resources
Website(1)
MyFrenchShorts
Full movie to watch for free!
Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
