The Wedding Feast at Cana, 1563, Paolo Veronese
Synopsis
A film from the Les Petits Secrets des grands tableaux collection - Season 2
In The Wedding Feast at Cana, Paolo Veronese transposed the biblical tale of the first miracle of Christ to the scene of a sumptuous Venetian banquet. He glorified the age-old city, festive and unrestrained.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : Les Poissons Volants
- Co-productions : ARTE France, Rmn - Grand Palais, Réseau Canopé, Musée d'Orsay
Full credits (13)
- Executive Producer : Sophie Goupil
- Screenwriters : Élisabeth Couturier, Thomas Cheysson
- Music Composer : Roque Rivas
- Editor : Erwann Chabot
- Sound Recordist : Stéphane Larrat
- Executive Producer : Nawal Tahiri
- Voice : Clémentine Célarié
- Production Manager : Sylvain David
- Sound Editor : Simon Apostolou
- Production Assistant : Saskia Nilly
- Special Effects : Erwann Chabot, Sandrine Belmont, Vladimir Mavounia-Kouka, Cem Ölçer, Olivier Hugue, Çagdas Kahriman
- Grader : François Lavignotte
- Sound mixer : Marie-Odile Dupont
Media Gallery
Technical details
- Type : Short film
- Genres : Animated film, Documentary
- Sub-genre : 2D & 3D animation
- Themes : Art, Painting, History
- Production language : French, English, German
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2015
- Runtime : 26 min
- Production formats : Digital creation
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
News & awards
About
Thanks to digital animation, details of masterpieces from the history of art come alive to recount the spirit of the age and the upheavals of history: wars, revolutions, economic transformations, scientific discoveries, beliefs, and flow of ideas.
Resources
Website(1)
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
