Synopsis
"If you are always trying to be normal, you will never know how amazing you can be." —Maya Angelo
Finally, after all of her metamorphoses and quests, a woman is fulfilled and free, complete and whole. She has created within her a space in which her feminine and masculine parts peacefully coexist, where she can reconcile her social side and wild side, her animus and anima. She becomes a formidable female who stands like an unassailable fortress, stepping into places traditionally reserved for men while fully embracing her femininity. Thus, within every "normal" woman an exceptional woman is waiting for her moment to blossom.
Credits
Director (1)
Production and distribution (1)
- Executive Producer : Tzig'Art
Full credits (10)
- Screenwriter : Clotilde
- Director of Photography : Florent Bourgeais
- Music Composers : Clotilde, Grégory Dargent
- Editor : Clotilde
- Sound Recordist : Mathieu Pelletier
- Executive Producer : Clotilde
- Camera Operator : Florent Bourgeais
- Sound editor : Clotilde
- Visual effects : Stéphane Jarreau
- Sound Mixer : Jean-Paul Gonnod
Media Gallery
![Magdalena - Portrait Number 5 of XXY [ɛks/ɛks/wʌɪ]](https://medias.unifrance.org/medias/32/39/206624/format_hd/magdalena-portrait-number-5-of-xxy-%C9%9Bks-%C9%9Bks-w%CA%8C%C9%AA.png "Magdalena - Portrait Number 5 of XXY [ɛks/ɛks/wʌɪ]")
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Technical details
- Type : Short film
- Genres : Experimental
- Sub-genre : Film musical, Auteur documentary, Video art, Research - Experimental, Fairy tale
- Themes : Femininity, Politics, Society
- Production language : No dialogue
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2018
- Runtime : 6 min
- Visa number : 150.443
- Visa issue date : 28/02/2019
- Production formats : Super 35
- Color type : Color
- Aspect ratio : 1.78
- Audio format : Dolby 5.1
- Rating restrictions : None
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
