Love Notes
Synopsis
Angela, 30, braves her phobias in search of the ideal love. She flits here and there, from disturbing psychoanalysts and disturbed girlfriends to her undisturbable mother, clinging to her fads, believing in signs, numbers and luck. The man of her dreams is closer than she thinks. Love letters go astray. Playful misunderstandings, set to the rhythm of Japanese poetry, finally put some sense into the seemingly faltering fandango of her life.
Credits
Director (1)
Actors (12)
Production and distribution (4)
- Co-productions : Arcapix, Camera One, Arena Films
- Foreign production company : Bianca Film
- Film exports/foreign sales : Intermedia Arc Pictures
- French distribution : Diaphana
Full credits (10)
- Screenwriters : Mimmo Calopresti, Heidrun Schleef, Francesco Bruni, Doriana Leondeff
- Director of Photography : Alessandro Pesci
- Music Composer : Franco Piersanti
- Editor : Massimo Fiocchi
- Sound Recordist : Remo Ugolinelli
- Costume designer : Marina Sciarelli
- Foreign Producer : Mimmo Calopresti
- Co-producers : Michel Seydoux, Bruno Pesery
- Press Attaché (film) : Laurence Granec
- Production Designer : Alessandro Marrazzo
Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Production language : Italian
- Coproducer countries : Italy, France
- Original French-language productions : Unspecified
- Nationality : Minority French (Italy, France)
- Production year : 1998
- French release : 19/08/1998
- Runtime : 1 h 25 min
- Current status : Released
- Visa number : 93.128
- Visa issue date : 19/06/1998
- Approval : Yes
- Production formats : 35mm
- Aspect ratio : 1.66
Box-office & releases
Box Office
This content is for registered users only.
Are you a member? Please login to view content.
TV broadcasting
This content is for registered users only.
Are you a member? Please login to view content.
International releases
| Country | Distributor | Buyer | Release date | Titre local |
|---|
Sorry, your search returned no results.
News & awards
Selections (1)
About
“It was the first time I’d followed a film from A to Z, starting from the moment when Mimmo Calopresti first aired the idea of a girl who meets a man in the street and decides he’s the love of her life. I was there, in some way or other, at every stage: the writing and casting, setting up the production, location scouting, naturally the filming and even the various stages of editing. At one time I had an urge to write bits of dialogue, as I felt we were talking about things and people I knew. I made a few suggestions, modestly, for the writers to use for inspiration or not, as they pleased. So when it was time for me to work alone, as an actress, on the character, all that work had already been done. I felt I didn’t have to look (as I usually do) for the things I had in common with the character, I had to find the differences between us. Our personalities had too much in common. I needed to find out what separated us. (Valeria Bruni Tedeschi, excerpt from press kit)
