What does the international press have to say about our cinema and audiovisual works? Here's a selection of articles from February 2025.
On the audiovisual front
Señal News annouced the agreement signed between Ellipse Animation and the Château de Versailles for the series Belfort & Lupin.
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Meanwhile, Todo TV News announced the creation of the series Hold on Gaston, produced by Dandelooo for T!fou
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Señal News also reported on the production of a documentary Anne Frank, The Story of a Young Girl, directed by Alexandre Moix and produced by Banijay.
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Anime News reported about the broadcast of the documentary Miyazaki, Spirit of Nature on UK TV.
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Telly Visions announced that Season 2 of Marie-Antoinette (Season 1) will be broadcast in March by the BBC.
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Deadline highlighted the presentation of the upcoming series The Sentinels at the London TV Screenings.
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On the festivals and awards front
"The Clermont-Ferrand Short Film Festival Holds Up Mirror to the World," Variety stated about the event that took place in February.
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Periodistas en Español summed up the Césars 2025: "Cinema against intolérance."
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Variety also threw the spotlight on the five titles unveiled by Unifrance and destined for the Coming Next from France program, which will be presented at Séries Mania.
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And in foreign movie theaters…
In Norway, Cinema magazine looked at the invisibilization of older women on the occasion of the release of When Fall Is Coming.
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In Italy, Corriere della Sera published an interview with Vincent Lindon for the release of The Quiet Son.
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“A story about love and cheese, it just couldn't work!” exclaimed Louise Courvoisier to Czech daily iRozhlas, about Holy Cow.
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In Ukraine, Kino-Teatr published an interview with Jennifer Devoldère for the release of the film Speak Out.
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Michel Hazanavicius spoke with Greek daily Flix about the release of his film The Most Precious of Cargoes in the country.
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In Romania, Cinemagia wrote: "Beating Hearts, the ideal film for Saint Valentine's Day."
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And we finish this press roundup with the article published in the Swedish daily Afton Bladet about the subject of Noémie Merlant's film The Balconettes: "A silly, funny, angry comedy."
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