Synopsis
In the early 1880s, Mathilde de Morny is not yet called Max. As a young bride, she spends a weekend in Normandy while her husband accuses her of sapphic adultery.
A fantasized, kaleidoscopic and anachronistic portrait that bets on the emancipatory role of fiction in the construction of identities.
Credits
Director (1)
Actors (2)
Production and distribution (1)
- Executive Producer : Haïku Films
Full credits (9)
- Executive Producer : Claire Trinquet
- Screenwriter : Virginie Berthier
- Director of photography : Virginie Berthier
- Editor : Cécile Martinaud
- Executive Producer : Claire Trinquet
- Sound Editor : Nicolas Jean
- Grader : Marie Sorribas
- Sound Mixer : Pierre-Yves Gauthier
- Sound design : Joe Cave
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Comedy, Burlesque comedy, Portrait
- Themes : Identity, History, Metamorphosis
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2021
- Runtime : 19 min 30 seconds
- Visa number : 156.134
- Visa issue date : 26/06/2023
- Production formats : HD
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
Resources
Website(1)
http://haikufilms.fr/films/bientot-max/
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.





























