Synopsis
Vic, a young woman in her thirties, is having difficulty in her love life because of an encounter she had with Gabriel four years ago. Since then, she compares all her relationships with the one she had with Gabriel, with whom she's fixated. He's become a fantasy.
Vic is involved in a traffic accident and ends up in hospital. In addition to her physical ailments, when she regains consciousness, Gabriel, whom she hasn't seen for years, is standing there, near her, like an illumination. It is only a projection and Vic will have to live with it to mourn it.
Credits
Director (1)
Actors (7)
Production and distribution (2)
- Executive Producer : Portrait Robot
- Co-production : Studio 71
Full credits (18)
- Executive Producer : Ervin Le Goaziou
- Screenwriter : Éléonore Costes
- Director of Photography : Romain Prouveur
- Music Composer : Robin Strauss
- Assistant director : Julie Gobiet
- Sound Recordist : Alix Clément
- Costume designer : Marion Foare
- Line Producers : Ervin Le Goaziou, Romain Prouveur
- Co-producer : Maud Le Bonhomme
- Assistant Operator : Sophie Quaglino
- Camera Operator : Romain Prouveur
- Production Manager : Ervin Le Goaziou
- Sound Editor : Stefan Carlod
- Continuity supervisor : Julie Collet
- Production Designer : Ceren Kaya
- Grader : Florian Jarry
- Make-up Artist : Anaëlle Trogno
- Sound Mixer : Florent Simon
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama, Romance
- Themes : Love, Memories, Encounters
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2020
- Runtime : 52 min 12 seconds
- Production formats : HD - Live footage
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Digital 5.1
- Rating restrictions : None
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
