Synopsis
A passive mother who dedicates her life to her husband and children. Stuck in daily, repetitive, mundane chores, she has made herself as little as she possibly could. When a magic trick goes wrong at her 4-year-old son's birthday party, an avalanche of coincidental absurdities befalls the family. The magician turns her husband, the authoritarian father, into a chicken. The mother is now forced to come to the fore and take care of the family while moving heaven and earth to bring her husband back. As she tries to survive, she goes through a rough and absurd transformation.
Credits
Director (1)
Actors (3)
Production and distribution (4)
- Executive Producer : Still Moving
- Foreign production companies : Film Clinic, Keplerfilm, Heretic, Lagoonie Film Production
- Film exports/foreign sales : Heretic
- French distribution : Dulac Distribution
Full credits (7)
- Executive Producers : Juliette Lepoutre, Pierre Menahem
- Screenwriters : Ahmed Amer, Omar El Zohairy
- Director of Photography : Kamal Samy
- Editor : Hisham Saqr
- Sound recordists : Ahmed Adnan, Julien Gonnord, Alexis Jung, Niels Barletta
- Foreign producers : Mohamed Hefzy, Derk-Jan Warrink, Koji Nelissen, Giorgos Karnavas, Konstantinos Kontovrakis, Verona Meier
- Press Attachés (film) : François Hassan Guerrar, Julie Braun
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Watch Feathers in VOD
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Drama, Fantasy
- Production language : Arabic
- Coproducer countries : France (43.55%), Egypt (26.06%), The Netherlands (15.81%), Greece (14.78%)
- Original French-language productions : No
- Nationality : Majority French (France, Egypt, The Netherlands, Greece)
- Production year : 2021
- French release : 23/03/2022
- Runtime : 1 h 52 min
- Current status : Released
- Visa number : 153.952
- Approval : Yes
- Color type : Color
- Aspect ratio : 1.85
- Audio format : 5.1
Box-office & releases
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News & awards
News (4)
Selections (18)
Awards (3)
La Semaine de la Critique - Cannes
France, 2021
Grand Prix Nespresso
Prix FIPRESCI/Semaine de la Critique