Synopsis
Julia plays her answering machine—it's her mother. Without waiting until the end of the message, she rushes off to the train station to meet her. As the moment of her meeting with her mother draws nearer, her anxiety grows. Julia waits amidst all the noise and the bustling crowds. People seem to be talking to her, and the train station becomes a stage in which Julia's life is played out. But what did she hear in the message her mother left her?
Credits
Director (1)
Actresses (2)
Production and distribution (1)
- Executive Producer : Leto Films
Full credits (10)
- Executive Producer : Jessica Rosselet
- Screenwriter : Cristina Pinheiro
- Director of Photography : Mathieu Plainfossé
- Assistant Director : Pierre-François Brodin
- Editor : Julie Dupré
- Sound Recordist : Mathieu Villien
- Assistant Operator : Mathilde Cathelin
- Production manager : Anne-Claire Créancier
- Sound Editor : Pierre Bariaud
- Continuity supervisor : Charles Jodoin-Keaton
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Technical details
- Type : Short film
- Genres : Fiction
- Themes : Family, Conflict, Motherhood
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2013
- Runtime : 14 min 48 seconds
- Visa number : 136.134
- Visa issue date : 07/11/2013
- Production formats : HD Cinemascope
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Stereo
- Rating restrictions : None
Resources
Website(1)
www.easytigerfilms.fr/content/liga
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
