Synopsis
In an undefined future in France, unemployment has reached 35%. The government feels that consumption is endangered and, to give the unemployed purchasing power again, it creates an empty job policy: high wage earners must employ a jobless person. In this way Monsieur Rémiot, an executive, encounters thirty-year-old unemployed Elise. This forced coexistence causes him to question his own usefulness and undermines the foundations of the main reference points of his life.
Credits
Director (1)
Actors (8)
Production and distribution (2)
- Executive Producer : Les Films Sauvages
- Film exports/foreign sales : La Luna Distribution
Full credits (16)
- Executive Producer : Jean-Christophe Soulageon
- Screenwriters : Sophie Hiet, Antarès Bassis
- Director of photography : Pénélope Pourriat
- Music Composer : Denis Uhalde
- Assistant director : Julie Navarre
- Editor : Yann Coquart
- Sound Recordist : Vincent Piponnier
- Costume designer : Laurence Ounini
- Sound Editor : Jean-Marc Schick
- Assistant editor : Mona-Lise Lanfant
- Production Assistant : Sylvain Bousquet
- Production Designer : Véronique Barnéoud
- Special Effects : Bruno Bompas
- Graphic Designer : Jérémie Sommet
- Music performers : Hélène Ucher, Frédéric Truet, Denis Uhalde
- Sound Mixer : Jean-Marc Schick
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Fantasy, Science fiction , Social comedy
- Themes : Science fiction/Futuristic, Unemployment
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2007
- Runtime : 30 min
- Visa number : 110.329
- Visa issue date : 20/12/2007
- Production formats : Super 16
- Color type : Color
- Aspect ratio : 1.85
- Audio format : DTS SR
- Rating restrictions : None
News & awards
Selections (3)
Awards (1)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.


































