There ought to be a giant night-club for all those people who never usually go to clubs. A place like a techno-pop cathedral. Music has possessed the film. It's its guts, its grug. It ought to be like a libretto or a dime-store novel, if you like. With characters laid bare, not to tell their story but to reveal their feelings. Their sensuality is their means of expression. They are overwhelmed by something older than they are and don't try to resist it. They are outcasts and accept this. No one could ever imagine them watching other people's lives, on tv or elsewhere, and thinking that they would like to be like them. They are where they are. This is the very basis of their lives, not what they are in other people's eyes. Their bodies are all they have, their greatest revenge and joy too. Everything else is missing, except fot the music. (...) And this music seems to try to stop time from moving too fast. The music is the film's language. Just like the love that they are all waiting for. Lola is the name of all women in love. What is a 90s Lola like ? What is romance like in an excessively harsh world ? (Yoland Zauberman)