For my first film, I chose a first film. I liked the idea that it would be a double discovery for me: the adventure of a feature film and the encounter with a new director, a new world. The thing that won me over in Chris Vander Stappen's screenplay was the depiction of this childish, open and magical world where everything is possible. Then, I saw Alain Berliner's short film and found it remarkable for its audacity and poetry, the very qualities required to direct "Ma vie en rose". Production, just like distribution, requires both financial and aesthetic commitment. I felt it was important to invest myself in a subject that has been barely tackled by French cinema: the fundamental ambivalence in every human being. A producer's work is a task of presence and perseverance throughout the development of the project: thirteen drafts of the screenplay, a very long and complicated casting process. In the end, deciding to produce someone is a little like getting married...(Carole Scotta, producer of "Ma vie en rose")