Doggy Bag
Synopsis
She's a normal enough young woman but her mother always preferred the dog to her. One day she imagines her mother's dog dies. So she heads into Paris at night to bury it on her own. But she meets a young man ready to help her who explains that a dead dog is worth a lot of money. Do you follow me? As for the man, he wonders whether the young woman might have a problem with dogs...
Credits
Director (1)
Actors (16)
Production and distribution (4)
- Executive Producer : ANFM - Achetez Nos Films Merci
- Co-productions : M6 Films, Bionnay Productions
- Film exports/foreign sales : Editions Montparnasse
- French distribution : Fox France
Full credits (16)
- Executive Producers : Denis Hartnagel, Michèle Laroque
- Adaptation : Benjamin Legrand
- Screenwriters : Frédéric Comtet, Michèle Laroque
- Director of Photography : Olivier Gueneau
- Music Composer : Michel Legrand
- Editor : Roland Baubeau
- Costume designers : Jacotte Perrier, Christine Hulliel
- Co-producer : Frédéric Comtet
- Camera Operator : Jacques Monge
- Press Attachés (film) : Dominique Segall, Astrid Gavard
- Sound Editor : Frédéric Dubois
- Continuity supervisor : Françoise Thouvenot
- Production Designer : Frédéric Duru
- Sales Agent : Patrick Binet
- Sound Mixer : Steven Ghouti
- Still Photographer : Frédéric Laffont
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy, Black comedy
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1999
- French release : 15/09/1999
- Runtime : 1 h 25 min
- Current status : Released
- Visa number : 96.067
- Visa issue date : 09/09/1999
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : CinemaScope
Box-office & releases
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News & awards
Selections (1)
About
When Michèle and I now think of some of the scenes in "Doggy Bag," what we both find unsettling is how much of ourselves we see in them. We put a lot of our own obsessions and hang-ups into the film – nothing unusual in that, true, but what we see still puzzles us. Our interest in psychoanalysis, for instance: in the film, Jeanne uses the dog to settle a few scores, whereas Michèle and I used the film. OK, we wrote a comedy, but attentive spectators should be able to see the ritual or psychoanalytical tale underneath.
Frédéric Comtet - Director, excerpt from the press folder.
