Nous sommes tous encore ici

A Feature film of

Anne-Marie Miéville

Produced by

Peripheria

Production year1996

French release19/03/1997

Runtime1 h 20 min

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Synopsis

A film devised in three sections. Three sections resulting from different periods in our history. "Will you at last tell me which men are the best for you ?" (Plato)
"Isolation is, from man's point of view, the disease that the world in which we live suffers from." (Arendt)
"Could you accept for once that your idea of good isn't necessary the right one, without you automatically being bad". (Miéville)

Credits

Director (1)

Anne-Marie Miéville
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Actors (3)

Aurore Clément

Production and distribution (5)

Executive Producer : Peripheria

Co-productions : Les Films du Losange, Les Films Alain Sarde

Foreign production company : Vega Film

Film exports/foreign sales : Les Films du Losange

French distribution : Les Films du Losange

Full credits (7)

Screenwriter : Anne-Marie Miéville

Directors of Photography : Christophe Beaucarne, Jean-Paul Rosa Da Costa, Christophe Pollock

Editor : Anne-Marie Miéville

Sound recordists : François Musy, Olivier Burgaud, Christophe Giovannoni

Costume designer : Marina Zuliani

Press Attaché (film) : Régine Vial

Production Designer : Ivan Niclass

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Watch Nous sommes tous encore ici in VOD

Poster France

Technical details

Type : Feature film
Genres : Fiction
Sub-genre : Drama
Production language : French
Coproducer countries : Switzerland, France
Original French-language productions : Unspecified

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International releases

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News & awards

Selections (4)

Vienna (Viennale) - International Film Festival
Austria, 2004
Official Selection
International Film Festival Rotterdam (IFFR)
The Netherlands, 2001
Rétrospective Anne-Marie Miéville
Montreal World Film Festival
Canada, 1997
Cinema of Tomorrow
Locarno Film Festival
Switzerland, 1997
Filmmakers of the present

Delegations (1)

International Film Festival Rotterdam (IFFR)
The Netherlands, 2001
Director : Anne-Marie Miéville

About

It's all a matter of approach, not words. Of instinct rather than intellect. This is indeed cinema. Godard, people have often said, withdrew in the 70's, to carry out experiments on video and start from scratch. His first work with Miéville dates from that period, notably with "Numéro deux", a sort of home-movie that coldly dissects a couple's life. In its more gentle way, "Nous sommes tous encore ici" is the distant reply of the lady to her haughty, touching and unshaved gentleman. An exacting and lucid account of the condition of the isolated artist and, beyond that, of the task of living and its even more exalting and dangerous variant (a challenge and a game) : life a s a couple". (François Gorin, Télérama)