Sale Gosse
Synopsis
Nina and ten-year-old Martin are more like two quarrelling but devoted friends than mother and son. Nina has fabricated a romantic story about Martin's absent father, and Martin clings to the idea of finding him.
Credits
Director (1)
Actors (7)
Production and distribution (4)
- Executive Producer : Les Films Alain Sarde
- Co-productions : Auvergne-Rhône-Alpes Cinéma, TF1 Films Production
- Film exports/foreign sales : STUDIOCANAL
- French distribution : AMLF
Full credits (20)
- Executive Producer : Alain Sarde
- Screenwriter : Claude Mouriéras
- Director of Photography : Walther Vanden Ende
- Music Composer : Nicola Piovani
- Assistant Director : Antoine Beau
- Editor : Monique Dartonne
- Sound recordists : Jean-Pierre Duret, Nicolas Naegelen
- Costume designer : Mimi Lempicka
- Executive Producer : Christine Gozlan
- Sound assistant : Véronique Tiron
- Assistant Operators : Philippe Lardon, Laurent Didier
- Camera Operator : Bruno Privat
- Production Manager : Jean-Jacques Albert
- Press Attachés (film) : Dominique Segall, Myriam Bruguière
- Continuity supervisor : Renée Falson
- Production Designer : Yves Cassagne
- Casting : Nathalie Chéron, Mirta Guarnaschelli
- Sound Mixer : Dominique Gaborieau
- Still Photographers : Jean-Pierre Amet, Eric Robert, Roger Arpajou
- Location Manager : François Menny
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Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Psychological drama
- Production language : French
- Original French-language productions : Unspecified
- Nationality : 100% French
- Production year : 1995
- French release : 27/03/1996
- Runtime : 1 h 35 min
- Current status : Released
- Visa number : 86.255
- Visa issue date : 10/05/1995
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : CinemaScope
- Audio format : Dolby DTS
Box-office & releases
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International releases
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News & awards
Selections (2)
Awards (1)
About
"The directing needs to be extremely light, with camera movements and rhythms which draw us along in Nina and Martin's wake. The camera needs to be alert and cling to them like a lover. It is neither a drama nor a psychological film. If such a category existed, it would be a sensual film where the characters react immediately and simply, straight from the heart : and what they have in their hearts is their love for each other. I would like there to be the pleasure of caresses, childish games, running through the city and along the riverside, wild hopes. They have to move fast as they have little time to live, to love, to fill their needs."
(Claude Mouriéras)
