It's now a reality: French cinema is back on the screens of cinemas and festivals in many countries! The international press makes it clear.
In Brazil, How to be a Good Wife arrived on screens as "a cry of strength for the next generations," we read in Cinepop.com.br (photo)
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In USA, the New York Times reported on the release of the Summer of 85, as a "pulpy and provocative" film.
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The Rose Maker lit up Japanese screens at the end of May. Vogue Japon, in search of French authenticity, noted that "this is a fine entertainment film, overseen by the best rose specialist in France."
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In Italy, cinematografo.it wrote that A Friendly Tale "questions the sincerity of friendship."
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For El País, in Spain, Gaza mon amour would be "a hymn to life, even in hell."
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And in Portugal, C7nema.net described Julien Rappeneau as a "former new director" in the report about the release Of Love and Lies.
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In Switzerland, 24 Heures declared that Final Set "successfully won the wager of presenting tennis in the cinema."
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The Dutch Cinemagazine wrote about Mandibles: "His dream was simply to make a comedy about a giant fly (...). How many other filmmakers can you say that about?"
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In Germany, EPD-Film published a profile on Eva Green for the release of Proxima.
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The international press also reports on the presence of French films in international festivals.
Variety published an article about Roaring 20s for Laurent Slama presented in Competition in Tribeca.
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The Berliner Morgenpost highlighted the two awards the documentary We received at the Berlinale.
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And we finish with Cinecitta News, which defined Rendez-vous – Nuovo cinema francese as "A snapshot of a creative, vital, and plural cinema."
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