Signal
Synopsis
Claudie is absolutely passionate about her rather unusual job: scanning the cosmos for signs of extraterrestrial life, hoping to make contact. Completely absorbed in her mission, she gradually loses touch with those around her. To the point that reality itself could fades away from her.
Credits
Production and distribution (4)
- Executive Producer : Vivement Lundi !
- Co-production : Komawé
- Foreign production company : Lunanime
- Film exports/foreign sales : L'Agence du court métrage
Full credits (11)
- Executive Producers : Aurélie Angebault, Jean-François Le Corre
- Screenwriters : Mathilde Parquet, Emma Carré
- Director of Photography : Damien Buquen
- Music Composer : Pablo Pico
- Foreign producer : Annemie Degryse
- Co-producer : Stéphanie Launay
- Animation : Iris Alexandre, Marie Cattiaut, Bilitis Levillain, Goulwen Merret, Mirjam Plettin, Emma Carré, Mathilde Parquet
- Foley artist : Céline Bernard
- Sound Mixer : Frederik Van De Moortel
- Sound design : Marie Moulin
Media Gallery
Technical details
- Type : Short film
- Genres : Animated film
- Sub-genre : Stop-motion, Musical, Science fiction
- Coproducer countries : France, Belgium
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Belgium)
- Production year : 2025
- Runtime : 16 min 44 seconds
- Visa number : 156.602
- Visa issue date : 15/07/2025
- Production formats : HD 4K
- Color type : Color
- Aspect ratio : 2.39
- Audio format : Dolby 5.1
- Rating restrictions : None
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
