La Dernière Vallée
Synopsis
As Abdou crosses the Alps with difficultý in search of freedom, he crosses paths with an old man who lives alone, reclusive in the forest. A fleeting encounter that will leave a mark on both men.
Credits
Director (1)
Actors (2)
Production and distribution (1)
- Executive Producer : La fémis
Full credits (18)
- Screenwriter : Étienne Mommessin
- Director of Photography : Étienne Mommessin
- Music Composer : Joachim Orgeret
- Assistant director : Manon Mavor
- Editor : Atef Maslah
- Sound Recordist : Pierréloi Fresneau
- Costume designer : Amélie Waille
- Producer : Léna Modrzyk
- Voice : Stéphane Vrain, Vincent Chappet
- Assistant Operator : Amaury Gadel
- Sound Editor : Valentin Keung
- Continuity supervisor : Loïc Hourdeaux
- Production Designer : Lucie Cabaud
- Foley artist : Alexandre Gneouchev
- Casting : Anna Mezencev
- Grader : Caïque De Souza
- Make-up Artist : Clara Douaud
- Sound Mixer : Joseph Squire
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama
- Themes : Solitude/loneliness, Encounters
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2023
- Runtime : 23 min 28 seconds
- Production formats : HD
- Color type : Black & White
- Aspect ratio : 2.39
- Audio format : Digital 5.1
- Rating restrictions : None
News & awards
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
