Synopsis
Lina and Inès do not know each other. However, from roof to roof, from low wall to fence, the two teenagers observe each other from a distance, enjoy each other, try to get closer. But, because they do not wish to be seen, they are constantly interrupted.
Credits
Director (1)
Actors (6)
Production and distribution (2)
- Executive Producer : Jabu-Jabu
- Film exports/foreign sales : L'Agence du court métrage
Full credits (17)
- Executive Producer : Caroline Moreau
- Screenwriter : Lauriane Lagarde
- Director of Photography : Fabio Caldironi
- Music Composer : Sylvain Texier
- Assistant Director : Jordan Witz
- Editor : Mona-Lise Lanfant
- Sound Recordist : Nicolas Cadiou
- Costume designer : Kenza Chekal
- Line Producers : Caroline Moreau, Louis Lapeyronnie
- Assistant Operator : Emmanuelle Gary
- Production manager : Caroline Moreau
- Sound Editor : Nicolas Cadiou
- Continuity supervisor : Anne Fromm
- Production Designer : Lucie Cardinal
- Grader : Valentin Goguet-Chapuis
- Make-up Artist : Jordane Kieffer
- Sound Mixer : Kinane Moualla
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Action , Drama, Romance
- Themes : Adolescence, Désir, Homosexuality
- Production language : French, Russian
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2021
- Runtime : 14 min 26 seconds
- Visa number : 155.918
- Visa issue date : 06/01/2022
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Digital 5.1
- Rating restrictions : None
News & awards
Selections (4)
Awards (2)
Uppsala International Short Film Festival
Sweden, 2022
Candidat pour le prix du meilleur court-métrage européen
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Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
