Synopsis
This is a premiere for 30 dancers of hip-hop, krump, break, voguing... A first for the director Clément Cogitore and for the choreographer Bintou Dembélé. And a first for the Paris’ Opera Bastille. By bringing together urban dance and opera singing, they reinvent Jean-Philippe Rameau's baroque masterpiece, Les Indes Galantes. From rehearsals to public performances, it is a human adventure and a meeting of political realities that we follow: can a new generation of artists storm the Bastille today?
Credits
Director (1)
Production and distribution (4)
- Executive Producer : Les Films Pelléas
- Co-productions : Arte France Cinéma, Opéra national de Paris
- Film exports/foreign sales : mk2 films
- French distribution : Pyramide Distribution
Full credits (10)
- Executive Producers : Philippe Martin, David Thion
- Directors of Photography : Raphaël O'Byrne, Thomas Rabillon, Arthur Cemin, Balthazar Lab, Julien Ravoux
- Music Composer : Thomas Dappelo
- Assistant director : Julia Maraval
- Editor : Henry-Pierre Rosamond
- Sound Recordist : François Waledisch
- Production manager : Juliette Mallon
- Press Attachés (film) : André-Paul Ricci, Tony Arnoux
- Sound Editor : François Méreu
- Sound mixer : Mélissa Petitjean
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Watch Gallant Indies in VOD
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Technical details
- Type : Feature film
- Genres : Documentary
- Sub-genre : Documentary
- Production language : French
- Production country : France
- Original French-language productions : Yes
- Nationality : 100% French (France)
- Production year : 2020
- French release : 23/06/2021
- Runtime : 1 h 48 min
- Current status : Released
- Visa number : 150.081
- Approval : Yes
- Color type : Color
- Aspect ratio : 1.85
- Audio format : 5.1
- Rating restrictions : None
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News & awards
News (4)
Selections (13)
Awards (2)
About
In 1735, Rameau created Les Indes Galantes, which reflected French colonial expansion and represented the myth of the noble savage. In 2019, Philippe Béziat filmed a generation of dancers who took center stage of Opera Bastille in Paris for the very first time and who reappropriated this baroque masterpiece by affirming another reading of European history.