Synopsis
Betty's researche, French anthropologist, concerns the memory of the Mission Dakar-Djibouti. Between the museum of the IFAN in Dakar and the museum of Man in Paris, the young woman gives herself the mission of approaching as close as possible what she would like to reach: the correctness of the scientific speech. The travel diary of this mission, written by Michel L’Afrique fantôme, Africa, becomes the obsession of the researcher. Betty tries to find the way of indicating a state of the relations between people by the fate of objects and archives.
Credits
Director (1)
Actresses (2)
Production and distribution (1)
- Executive Producer : red shoes | SOME SHOES
Full credits (15)
- Executive Producer : Olga Rozenblum
- Director of Photography : Victor Zébo
- Music Composers : Boris Geoffroy, Hugo Lemaire, Antony Lille
- Assistant directors : Maxime L'Anthoën, Ismaël Thiam
- Editor : Vincent Tricon
- Sound recordists : Arno Ledoux, Benjamin Laurent
- Costume designers : Mariette Niquet Rioux, Marianne Maric
- Line producers : Olga Rozenblum, Tiphanie Dragaut
- Voice-over : Ériq Ebouaney
- Assistant Operator : Garance Garnier
- Production Manager : Hugo Jeuffrault
- Sound Editor : Arno Ledoux
- Production Designer : Clément Le Penven
- Make-up Artist : Mariette Niquet Rioux
- Sound Mixer : Arno Ledoux
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Research - Experimental
- Themes : History, Ethnography, Poetry
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2015
- Runtime : 42 min 28 seconds
- Visa number : 143.836
- Visa issue date : 25/01/2016
- Production formats : HD 4K
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Dolby 5.1
- Rating restrictions : None
News & awards
Selections (1)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.




































