LE NOUVEL OBSERVATEUR

The film has a rare delicacy, which has even been imprinted on the film itself.

SUD OUEST

A filmmaker has probably never before dealt with absence with this level of delicacy.

CAHIERS DU CINEMA

Mikhaël Hers works with subtle material, and the house of emotional cards that he constructs holds up purely through the meticulousness of his gesture.

LES INROCKS

Yes, it is a very gentle film, but gentle like the summer waves that nevertheless end up eroding the rock. Without resorting to violence, Mikhaël Hers nevertheless reveals to us our infinite sadness, a flow of emotions that have come from who knows where, if not perhaps from out of the past.

THE HOLLYWOOD REPORTER

A fitting lead performance anchors this otherwise fleeting French indie.