Synopsis
They are called Aminata, Djibril, Djeneba, Hassan, Kadiatou, Madou. Boys, girls, young people and the ancients, men and women origininated from bambara, peule, tamacheq, songhaï, Arabic or malinké. They are malian, at the moment living in Bamako and trying to survive in a country in crisis.
While the situation threatens to explode because the North of Mali tries to secede since March, 2012, the populations pay the price of the destruction of a State and a disastrous economic situation. The capital holds its breath: the war can burst out tomorrow. How do they survive the day to day life? How do they see the collapse of their country? And this North wind which blows a religious rigorism so foreign to the traditions of the local Islam, how do they perceive it?
Credits
Production and distribution (2)
- Executive Producer : Les Films Sauvages
- Co-production : L'Échangeur
Full credits (8)
- Executive Producer : Jean-Christophe Soulageon
- Directors of Photography : Stanislas Duhau, Chanana
- Music Composer : Chanana
- Editor : Stanislas Duhau
- Sound Recordist : Madou Coulibaly
- Co-producer : Julien Fiorentino
- Grader : Jacky Lefresne
- Sound Mixer : Xavier Marsais
Watch this movie
Watch online
This content is for registered users only.
Are you a member? Please login to view content.
Technical details
- Type : Short film
- Genres : Documentary
- Sub-genre : Auteur documentary
- Themes : Ethnography, War, Freedom
- Production language : French, Bambara
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2013
- Runtime : 54 min 56 seconds
- Visa number : 137.787
- Visa issue date : 17/12/2013
- Production formats : HD
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Dolby 5.1
- Rating restrictions : None
News & awards
News (2)
Selections (2)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.


































