Synopsis
In October 4th, 1976, Tustin, California. The legendary Jukebox Motel disappears in flames. Rumors are spread quicly. The craziest: its reopening, somewhere in Quebec. In March 9th, 2011, Quebec, Capitale-Nationale. Separated from Arthur, Lou gves hima an appointment to prove to him that she was right: in the newspaper, an anonymous witness asserts having found the Jukebox Motel in their city.
Credits
Director (1)
Production and distribution (4)
- Executive Producer : Nolita Cinéma
- Co-production : Association Off
- Foreign production company : Spira
- Film exports/foreign sales : L'Agence du court métrage
Full credits (13)
- Executive Producers : Maxime Delauney, Romain Rousseau
- Screenwriters : Justine Bourcier, Tom Graffin
- Directors of Photography : Vincent Deschênes, Pierre Edelmann
- Music Composer : Tom Graffin
- Editor : Gwen Ghelid
- Sound Recordist : François Mercier
- Costume designer : Catherine Carré
- Foreign producer : Catherine Benoît
- Voice-overs : Sébastien Huberdeau, Zoé Duchesne
- Co-producers : Samuel Prat, Émilie Moreault
- Assistant Operator : Julie Pelletier
- Production Manager : Thierry Bouffard
- Sound Mixer : Cédric Vanderstraeten
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Film musical, Romantic comedy, Burlesque comedy
- Themes : Love, Music, Monde rural
- Production language : French
- Coproducer countries : France, Canada
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Canada)
- Production year : 2012
- Runtime : 9 min
- Visa number : 135.108
- Visa issue date : 08/01/2013
- Production formats : HD-CAM - HD Cinemascope
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (2)
International Festival of Francophone Film in Acadie (FICFA)
Canada, 2012
Carte Blanche: Trouville Off-Courts
About
Selection 2012 : Festival Telerama Nouveau Casino - Paris
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
