Synopsis
Charlotte Rampling is shattered. She fell on a repeat broadcast of We die only twice and has just discovered that she was erased from the movie then replaced by another comedienne, Liz Gareth, that the media already call the new Charlotte Rampling. Angry, the real Charlotte decides to lead an investigation to catch-up with those whom erased her from her own filmography.
Credits
Director (1)
Actors (6)
Production and distribution (2)
- Executive Producer : Synecdoche
- Film exports/foreign sales : L'Agence du court métrage
Full credits (15)
- Executive Producer : David Frenkel
- Screenwriters : Didier Barcelo, Benjamin Parent
- Director of Photography : André Chemetoff
- Music Composer : Le Professeur Inlassable
- Assistant director : Julie Navarre
- Editors : Éric Jacquemin, Roxane Fauré-Huet
- Sound Recordist : Pascal Armant
- Costume designer : Dorothée Guiraud
- Production Manager : Nicolas Avram
- Sound Editor : Nikolas Javelle
- Continuity supervisor : Fanny Deleuze
- Production Designer : Louise Marzaroli
- Casting : Emma Skowronek
- Special Effects : Guillaume Marien
- Sound mixer : Mélissa Petitjean-Hèche
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Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Psychological drama, Black comedy
- Themes : Cinema, Science fiction/Futuristic, Parable
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2011
- Runtime : 17 min 2 seconds
- Visa number : 129.012
- Visa issue date : 06/02/2012
- Production formats : 35mm
- Color type : Color
- Aspect ratio : CinemaScope
- Audio format : Dolby 5.1
- Rating restrictions : None
News & awards
Selections (11)
Grand Off World Independent Short Film Awards (Warsaw)
Poland, 2014
Catégorie meilleure actrice : Charlotte Rampling
Awards (1)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
