Synopsis
In Paris, the pedantic Alexandre lives with his mate Marie in her apartment, an open relationship. Alexandre, who is idle and chauvinist, spends his days reading, drinking and shagging women. After flirting with his former affair, Gilberte, who tells him that she will marry soon her boyfriend, Alexandre meets the Laenne Hospital nurse Veronika Osterwald and they schedule a date. Alexandre learns that Veronika is a promiscuous woman that loves to shag and introduces her to Marie. They have a threesome and Alexandre has a crush on Veronika.
Source : IMDb
Credits
Director (1)
Actors (15)
Production and distribution (4)
- Executive Producer : Elite Films
- Co-productions : Les Films du Losange, Ciné Qua Non, Simar Films, VM Productions, Renn Productions
- Film exports/foreign sales : Les Films du Losange
- French distribution : NPF Planfilm
Full credits (13)
- Executive Producer : Pierre Cottrell
- Assistant directors : Luc Béraud, Remy Duchemin
- Sound recordists : Paul Lainé, Jean-Pierre Ruh
- Screenwriter : Jean Eustache
- Co-producers : Vincent Malle, Barbet Schroeder, Christian Fechner, Claude Berri, Marcel Berbert, Jean-Pierre Rassam
- Director of Photography : Pierre Lhomme
- Assistant Operators : Michel Cénet, Jacques Renard
- Production Manager : Claude Bertrand
- Editors : Jean Eustache, Denise de Casabianca
- Continuity supervisor : Irène Lhomme
- Sound Mixer : Nara Kollery
- Additional Music : Jacques Offenbach, Wolfgang Amadeus Mozart
- Still Photographer : Bernard Prim
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Psychological drama
- Themes : Love, Sexuality
- Production language : French
- Production country : France
- Original French-language productions : Yes
- Nationality : 100% French (France)
- Production year : 1972
- French release : 17/05/1973
- Runtime : 3 h 40 min
- Current status : Released
- Visa number : 40264
- Visa issue date : 09/05/1973
- Approval : Yes
- Production formats : 35mm
- Color type : Black & White
- Aspect ratio : 1.37
- Audio format : Mono
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International releases
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News & awards
News (3)
Selections (13)
Awards (2)
About
Production
In 1972 Eustache had begun to doubt his career in films and contemplated quitting the business. He told a reporter from Le Nouvel Observateur "If I knew what it was that I wanted, I wouldn't wake up in the morning to make films. I'd do nothing, I'd try to live without doing or producing anything." Soon afterwards he got a new idea for a film to make with his friends Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun, who at that time was a literature student that he knew and had never acted before. He was loaned money from friend Barbet Schroeder to spend three months writing the script, which was over three-hundred pages. Although the film often seems to be highly improvised, every word of dialogue was written by Eustache.
The film was shot in only four months on a budget of 700,000 francs. Eustache called it a very hostile film, and it mostly consisted of dialogues and monologues about sex. Eushache says that the character Alexandre is "destroying [the three lead characters], but he is looking for it all along. After his voyage into madness and depression, he ends up alone. That's when I stop the film." The film had no musical score and only used natural sounds and occasionally music played by the characters on phonographs, such as Mozart and Edith Piaf. Eustache described the film as a "narrative of certain seemingly innocous acts. It could be the narrative of entirely different acts, in other places. What happens, the places where the action unfolds, have no importance...My subject is the way in which important actions situate themselves in a continum of innocuous ones. It's the description of the normal course of events without the schematic abbreviation of cinematographic dramatization."
Reception
The Mother and the Whore is considered Eustache's masterpiece, and was called the best film of the 1970s by Cahiers du cinéma. It won the Grand Prix of the Jury and the FIPRESCI prize at the 1973 Cannes Film Festival. The film created a scandal at the Cannes Film Festival, as many critics saw the film as immoral and obscene or, in the words of the broadsheet Le Figaro, "an insult to the nation", while Télé-7-Jours called it a "monument of boredom and a Himalaya of pretension."
After gaining little public recognition despite receiving praise throughout the years from critics and directors, such as Andre Bazin, Francois Truffaut and other members of the French New Wave, Eustache became an overnight success and internationally famous after the film's Cannes premiere. He soon financed his next film. The critic Dan Yakir said that the film was "a rare instance in French cinema where the battle of the sexes is portrayed not from the male point of view alone." James Monaco called it, "one of the most significant French films of the 1970s." Jean-Louise Berthomé said, "I am not sure that La mama et la putain, with its romances of a poor young man of 1972, doesn't say something new." Pauline Kael praised the film, saying it reminded her of John Cassavetes in its ability "to put raw truth on the screen - including the boring and the trivial."
The film's reputation increased over time. In 1982 the literary magazine, Les Nouvelles Littéraires, celebrated the tenth anniversary of the film by publishing a series of articles on it.
Source : Wikipedia
