Deep in the Woods
Synopsis
Let us walk in the woods While the wolf is away If the wolf were there, He’d eat us ! But, As he’s not, He won’t. Famous last words… A troupe of young actors is about to meet him, in Count Axel Fersen’s castle. A night turns to nightmare.
Credits
Director (1)
Actors (9)
Production and distribution (5)
- Executive Producer : Fidélité Films
- Co-productions : STUDIOCANAL, Glozel Diffusion
- Film exports/foreign sales : Tamasa Distribution
- French distribution : Pathé Films
- News agency (France) : 213 Communication
Full credits (14)
- Executive Producers : Olivier Delbosc, Marc Missonnier
- Adaptation : Lionel Delplanque
- Screenwriter : Annabelle Perrichon
- Director of Photography : Denis Rouden
- Music Composer : Jérôme Coullet
- Editor : Pomme Zhed
- Sound Recordist : Lucien Balibar
- Costume designer : Édith Bréhat
- Co-producer : Pierrick Goter
- Camera Operator : Pierre-Alain Lods
- Press Attachés (film) : Laura Gouadain, Émilie Maison
- Continuity supervisor : Céline Breuil-Japy
- Production Designer : Arnaud De Moleron
- Visual Effects : Bruno Maillard
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Technical details
- Type : Feature film
- Genres : Fiction
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2000
- French release : 14/06/2000
- Runtime : 1 h 30 min
- Current status : Released
- Visa number : 97.632
- Visa issue date : 16/05/2000
- Approval : Yes
- Color type : Color
- Audio format : Dolby SRD
Box-office & releases
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International releases
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News & awards
News (2)
Selections (7)
Delegations (5)
Festival du Film Francophone de Grèce
Greece, 2001
Director : Lionel Delplanque
Actor : Clotilde Courau
About
“Let’s Walk in the Woods” was conceived as a genre movie. Genre movies are rare in French film-making and we liked the idea of producing one. Previous attempts had failed to be perceived by audiences because they didn’t go far enough in the genre. But genre movies have to abide by certain rules, and certain clichés are unavoidable. We didn’t set out to make a spoof; we wanted to make a bona fide horror film, which meant that we had to go all the way, with no half measures. We really enjoyed working with Lionel Delplanque on his movie. There was an element of fun in making it, especially in writing the script and building the plot, that played on the codes of horror films. We distinctly felt that audiences are receptive to this kind of film, especially when handled in a spectacular way.
The Producers
