Sitcom, A Movie
Synopsis
Eric, sitcom producer and Fred the main actor of the show, wake up on morning in the same bed, with a young, dead woman lying besides them. In a panic, they decide to hide the corpse in Eric’s convertible truck until they can think of a way to dispose of the body. As the day wears on, the sitcom and their own lives claim all their attention, and neither of them makes a move…
Credits
Director (1)
Actors (21)
Production and distribution (4)
- Executive Producer : Rigolo Films 2000
- Co-production : STUDIOCANAL
- Film exports/foreign sales : Newen Connect a TF1 Group Company
- French distribution : Ariane Distribution
Full credits (17)
- Executive Producers : Olivier Granier, Dominique Farrugia
- Screenwriter : Michel Hazanavicius
- Director of Photography : Laurent Machuel
- Assistant Director : Olivier Coutard
- Editor : Xavier Loutreuil
- Sound Recordist : Didier Saïn
- Costume designer : Hadjira Ben-Rahou
- Sound Assistant : Vincent Goujon
- Assistant Operator : Thomas Bataille
- Production Manager : Daniel Szuster
- Press Attachés (film) : Alexandra Schamis, Blanche Aurore Duault
- Sound Editor : Thomas Desjonquères
- Assistant editor : Gaëlle Boutin
- Continuity supervisor : Caroline Saillo
- Production Designer : Maamar Ech-Cheikh
- Casting : Pierre Amzallag
- Sound Mixer : Stéphane Thiébaut
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1999
- French release : 02/06/1999
- Runtime : 1 h 37 min
- Current status : Released
- Visa number : 95.493
- Visa issue date : 24/03/1999
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby SR
Box-office & releases
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News & awards
Selections (1)
About
"The screenplay's two facets—sitcom and thriller—make it possible to develop comic situations alongside other situations that are a good deal blacker. I wanted to combine the funny side with the emotional side in both the sitcom part and the thriller part. Furthermore, the fact of having a corpse in the car throughout the film gave all the comic scenes a different tone, creating a cruel, heavy atmosphere that hardly needed stressing."
(Michel Hazanavicius)
