Rembrandt
Synopsis
Rembrandt's early works matched the style of the times, so he met with fame the moment he arrived in Amsterdam, without really seeking it. He then marries the beautiful Saskia, and has everything he could wish for. Yet she dies years later, just when the painter's fall from grace begins. He refuses to compromise: when fashion demands light, colorful paintings he insists on thick impasto and shadows. In his private life he shuns all convention. Rembrandt is driven to bankruptcy and destitution by the powers that be, but solitude enables him to achieve the mystical fullness of his art.
Credits
Director (1)
Actors (27)
Production and distribution (5)
- Executive Producer : Ognon Pictures
- Co-production : France 2 Cinéma
- Foreign production companies : Argus Film Produktie, TROS - Nederland 2, NRW - Filmstiftung Nordrhein Westfalen, Pain Unlimited GmbH
- Film exports/foreign sales : Pyramide International
- French distribution : Pyramide Distribution
Full credits (17)
- Executive Producer : Humbert Balsan
- Adaptation : Charles Matton
- Screenwriter : Sylvie Matton
- Director of Photography : Pierre Dupouey
- Music Composers : Nicolas Matton, Hervé Postic
- Assistant directors : Christopher Granier-Deferre, Corinne Le Hong, Eve Kirchner
- Editor : François Gédigier
- Sound recordists : Bernard Bats, Patrice Grisolet, Dominique Hennequin
- Costume designer : Ève-Marie Arnault
- Foreign producers : Vibeke Windelov, Peter Van Vogelpoel, Eric Schutt
- Sound Assistant : Pierre-Yves Bruneel
- Press Attaché (film) : Dominique Segall
- Assistant editors : Annick Raoul, Carlos Pinto
- Continuity supervisor : Nancy Rivas
- Production Designer : Philippe Chiffre
- Sound Mixer : Emmanuel Croset
- Unit Production Manager : Nicolas Picard
Watch this movie
Watch Rembrandt in VOD
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Portrait
- Themes : Art, Painting
- Production language : French
- Production country : France
- Original French-language productions : Yes
- Nationality : Majority French (France)
- Production year : 1999
- French release : 08/09/1999
- Runtime : 1 h 43 min
- Current status : Released
- Visa number : 88.128
- Visa issue date : 26/08/1999
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.85
Box-office & releases
Box Office
This content is for registered users only.
Are you a member? Please login to view content.
TV broadcasting
This content is for registered users only.
Are you a member? Please login to view content.
International releases
| Country | Distributor | Buyer | Release date | Titre local |
|---|
Sorry, your search returned no results.
News & awards
Selections (3)
Istanbul Film Festival
Turkey , 2000
Huma Rights in Cinema Competition
Cesar Awards - French film industry awards
France, 2000
Best Production Design : Philippe Chiffre
Best Costume Design : Ève-Marie Arnault
Awards (1)
Cesar Awards - French film industry awards
France, 2000
César Award for Best Production Design : Philippe Chiffre
Delegations (1)
About
When we talk about Rembrandt, we often speak of genius, but rarely of revolution, yet he was the first person in the history of Western art to have fundamentally shaken up the idea of what a painting should be, the first to have changed the relationship between a painting and the person who looks at it. Before Rembrandt, viewers looked at the illusion created by paint. With Rembrandt, we look at paint creating the illusion. Herein lies the revolution. His fierce commitment to new directions and his rebellious way of life, flaunting all conventions, aroused people's suspicions, then their wrath, until all of society was out to get him. It succeeded in doing so, treacherously joining forces to betray him, driving him to bankruptcy and ruin. I wanted the film to reveal all this, and many other little-known things, such as his difficult family troubles (further adding to the chagrin of so many betrayals) and all the children and women that he loved and lost. And yet Rembrandt never lost his monstrous appetite for the 'visible' when it came to life and painting, illustrating as no one else could Nietzsche's phrase "A great work is always made despite all odds."
Charles Matton – Director
