Lucky Punch
Synopsis
In France, at the turn of the century, a "Boxing-Show" owner happens to take on a young lumberjack for his show-bouts. Faced with the ups and downs of what is to become professional boxing, in the company of the young and attractive film-show owner, Camille, they discover that the stakes range well beyond the ringside.
Credits
Director (1)
Actors (14)
Production and distribution (4)
- Executive Producer : Les Films des Tournelles
- Co-productions : Auvergne-Rhône-Alpes Cinéma, STUDIOCANAL, Raphaël Films, France 3 Cinéma
- Film exports/foreign sales : STUDIOCANAL
- French distribution : BAC Films
Full credits (17)
- Executive Producers : Pascal Judelewicz, Anne-Dominique Toussaint
- Screenwriters : Robin Katz, Dominique Ladoge
- Director of Photography : Etienne Fauduet
- Music Composer : Alexandre Desplat
- Assistant directors : Régis Musset, Charli Beleteau
- Editor : Didier Ranz
- Sound Recordist : Dominique Warnier
- Costume designer : Carine Sarfati
- Foreign Producer : Ludi Boeken
- Sound assistants : Guillaume Valeix, Olivier Struye
- Assistant Operator : Olivier Dessalles
- Production managers : Catherine Lapoujade, Sophie Deloche
- Press Attaché (film) : Pascal Launay
- Sound Editor : Richard Shorr
- Continuity supervisor : Véronique Heuchenne
- Production Designer : Dominique Maleret
- Sound Mixer : Dominique Hennequin
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Historical, Drama
- Themes : Sport
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1996
- French release : 24/07/1996
- Runtime : 1 h 40 min
- Current status : Released
- Visa number : 84.719
- Visa issue date : 27/06/1996
- Approval : Yes
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby SR
Box-office & releases
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News & awards
About
"I wanted to make a film in the classic narrative mould which required a particularly writerly approach. That's why I chose to work with my friend Robin Katz, a professional screenwriter living in Los Angeles. He had the necessary rigour for the job. Years on from the sweeping (new) wave of cinema of meaning, we are now in a period which priveleges form. Personally, I am more attached to characters, thus to actors, than to the technical means offered by such and such equipment. My experience as a director for advertizing has weaned me from such formal ambitions. My prime motivation is to tell a story and thereby derive the pleasure of writing and directing out of the ordinary, larger-than-life, engaging characters."
(Dominique Ladoge)
