Fall continues with its array of international festivals in which a high number of French works always participate and receive glowing accolades.
In Portugal, Business Doc Europe cover showed a still from the DAFilms Awards' recipient during the latest DocLisboa: Lettre à Éric Pauwels ou A Florista e o Consul by Clara Jost.
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Still in Portugal, Sapo Magazine announced the nomination of the short film Ice Merchants at the European Film Awards.
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In South Korea, Cine21 reported on Serge Toubiana's master class on Jean-Luc Godard during the Busan International Film Festival, where Unifrance's president was also a member of the jury of one of the strands.
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In the United Kingdom, Sight & Sound highlighted the VR work On the Morning You Wake (To The End Of The World), at the BFI London Film Festival: "A remarkable achievement."
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In Switzerland, during the Zurich Film Festival, Louis Garrel reflected on his latest film, The Innocent, in an interview with Cineman.
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And in Spain, El Periódico de Catalunya wrote: "Quentin Dupieux, the man who brought laughter to Sitges," during his appearance at the Sitges International Film Festival.
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In terms of releases, foreign media profiled French films in international theaters.
In Russia, Kino-Teatr published a long article about Rise, "a film with a lyrical plot."
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In The Netherlands, The Passengers of the Night was critically acclaimed, "an impressive film, in its quiet way," by the daily De Volkstrant.
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In Quebec, the Journal de Montréal praised Falcon Lake, the debut feature by Charlotte Le Bon, "(..) which suggests great things for the future of the director's career."
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And in Belgium, the weekly Moustique highly recommended the "animated marvel" Yuku and the Flower of the Himalayas by Arnaud Demuynck to the very young.
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In terms of audiovisual works, the international press reported on French series and contents in foreign markets, and on French professionals operating in the sector.
SeñalNews noted Unifrance's resurgence at MIPCOM: "Unifrance returns with 300 expected exhibitors."
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The Spanish Produ.Com announced the projects that Safaa Benazzouz (Xilam Animation) presented during MIPCOM Junior.
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In Italy, La Repubblica published an interview with Hervé Hadmar, director of the series Notre-Dame: "Each of us has an inner fire to put out."
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In the USA, the New York Times highlighted the series Flashback directed by Caroline Vigneaux, as one of the"five science fiction movies to stream now."
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Meanwhile, Animation Magazine reported that Season 5 of Miraculous est diffusée en première mondiale sur Disney+.
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In the United Kingdom, "Cyber Group Studios's Gigantosaurus lands first theme park deal," Kidscreen announced.
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The British TBI reported that the German channel ZDFneo is preparing a German adaptation of Irresponsable, a series directed by Frédéric Rosset.
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In Argentina, the daily Clarín was thrilled by the return to screens of Bright Minds, "the French series that deals with Asperger's syndrome in a natural way."
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In Quebec, the daily Le Devoir announced the broadcast of the documentary series L’Extraordinaire Périple de Magellan, directed by François de Riberolles.
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We finish with a long interview published by the British magazine Quarterly Drama, which met with Anaïs Romand, the costume designer of the series Paris Police 1900, who has already received several César awards during her career.
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