Nationale boomerang
Synopsis
Nationale boomerang retraces the wanderings of Loba, a lonely teenage girl who has broken away and is searching against a backdrop of city, countryside, and industrial landscapes. In an immersive and contemplative way, we follow her path and her adventures.
Credits
Director (1)
Production and distribution (1)
- Executive Producer : GREC - Groupe de Recherches et d'Essais Cinématographiques
Full credits (15)
- Executive Producer : Anne Luthaud
- Screenwriter : Gaïa Rasnova
- Director of Photography : Maxence Lemonnier
- Music Composer : Hugo Bracchi
- Assistant Director : Thomas Hirgorom
- Editors : Gaïa Rasnova, Ariane Boukerche, Yann Dedet
- Sound recordist : Juliette Mathy
- Costume designers : Léandre Lelong, Paul Balourdet
- Assistant Operators : Étienne Bacci, Margot Frenay
- Camera Operator : Maxence Lemonnier
- Production Manager : Lawrence Absalon
- Sound Editor : Elias Boughedir
- Continuity supervisor : Léa Foti
- Production Designer : Ceren Kaya
- Sound Mixer : Jules Jasko
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Psychological drama, Research - Experimental, Fairy tale
- Themes : Adolescence, Wandering, Solitude/loneliness
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2019
- Runtime : 19 min 4 seconds
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby 5.1
- Rating restrictions : None
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
