Synopsis
Ophélie is a little girl with a vivid imagination who lives with her father in a caravan park. One day, she finds herself haunted by a worrying imaginary friend, Scaramouche, who gets close to her by following the logic of the Red Light/Green Light game.
Credits
Director (1)
Actors (11)
Production and distribution (1)
- Executive Producer : 3iS - Institut International de l'Image et du Son
Full credits (19)
- Executive Producer : Stéphane Pierrat
- Screenwriters : Arthur Môlard, T.J. Stehly, Steven Jan
- Director of photography : Dorine Destouches
- Music Composer : Andrea Boccadoro
- Assistant Director : Étienne Roche
- Editor : Joffrey Pilaud
- Sound recordists : Nicolas De Saint Martin, Bastien Delagneau
- Costume designer : Laurence Franco
- Line Producer : Stéphane Pierrat
- Camera Operator : Antoine Pirotte
- Production manager : Sarah Esterlin
- Sound Editor : Thibaut Quinchon
- Continuity supervisor : Marion Balcon
- Production Designers : Guillaume Beaujolais, Sylvain Rigault
- Artistic Director : Guillaume Beaujolais
- Special Effects : Romain Brunetti, Joffrey Pilaud, Teddy Masson
- Visual effects : Noëlie Baratier
- Make-up Artist : Noëlie Baratier
- Sound Mixer : Thibaut Quinchon
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Fantasy, Horror, Bizarre
- Themes : Childhood, Family, Fear, Dreams
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2017
- Runtime : 27 min 12 seconds
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby 5.1
- Rating restrictions : None
News & awards
Selections (2)
Resources
Festivals Listing(1)
DownloadScaramouche Scaramouche
(pdf - 20 Ko)
Website(1)
www.facebook.com/scaramouchelefilm
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.







































