Synopsis
Octave Miller, a failed writer, discovers a mysterious typewriter. Although the machine seems to provide him with a talent unknown until then, Octave notices that his physical state progressively deteriorates as he writes. Will he choose to see his book through right to the end?
Credits
Director (1)
Production and distribution (1)
- Executive Producer : L'USINE A FLIMS
Full credits (16)
- Screenwriter : Sébastien Berna
- Director of Photography : Clayton Burkhart
- Music Composer : Yannick Donet
- Assistant Director : Hugo Nelli
- Editor : Melody Obadia
- Sound Recordist : Sylvain Dumaine
- Costume designer : Carole Pochard
- Assistant Operators : Thibault Lhuilléry, Thomas Durazzi
- Production manager : Zoé Marsault
- Sound Editor : Charli Masson
- Continuity supervisor : Clara Smadja
- Production Designer : Robert Voisin
- Special Effects : David Scherer
- Visual effects : Jérémy Wulff, Olivier Jarry
- Make-up Artist : Amélie Javegny
- Sound Mixer : Xavier Marsais
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Fantasy, Psychological drama
- Themes : Metamorphosis, Art, Literature
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2016
- Runtime : 29 min 6 seconds
- Visa number : 143.341
- Visa issue date : 03/08/2016
- Production formats : HD
- Color type : Color
- Aspect ratio : 2.39
- Audio format : Digital 5.1
- Rating restrictions : None
Resources
Presskit(1)
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
