Synopsis
Fifteen-year-old Nadia must take care of her eleven-year-old brother's education, look after the house, and continue her own studies while her mother is taking a training course at the other end of France. She is left to her own devices. When one of her classmates provokes her, Nadia blows a fuse and is expelled from school. This time there is no way around it: she must confront her mother and make some choices.
Credits
Director (1)
Actors (5)
Production and distribution (4)
- Executive Producer : Bagan Films
- Co-production : So Mad Productions
- Foreign production company : InRed Production
- Film exports/foreign sales : Next Film Distribution
Full credits (16)
- Executive Producer : Patrick Hernandez
- Screenwriters : Sonia Rolland, Damien Barranger
- Director of Photography : Christophe Larue
- Music Composer : Emmanuel D'Orlando
- Assistant Director : Christian Vandelet
- Editor : Benjamin Courtines
- Sound Recordist : Ludovic Élias
- Costume designers : Véronique Frumy, Caroline Plaud
- Foreign Producer : Thierry Pradervand
- Co-producer : Amanda Herzberg
- Assistant Operator : Benjamin Verrier
- Sound Editor : Vincent Mauduit
- Continuity supervisor : Rachel Goldenberg
- Production Designer : Bruno Bon
- Make-up Artist : Rista Dimovitch
- Sound Mixer : Vincent Mauduit
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Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama
- Themes : Adolescence, Education, Marginality
- Production language : French
- Coproducer countries : France, Switzerland
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Switzerland)
- Production year : 2015
- Runtime : 20 min 37 seconds
- Visa number : 137.949
- Visa issue date : 24/12/2015
- Production formats : HD 2K
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Dolby 5.1
- Rating restrictions : None
News & awards
Selections (3)
Resources
Website(1)
http://www.baganfilms.com/project/une-vie-ordinaire/
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.




































