The Bakery Girl of Monceau
Synopsis
The structure of the film is about a man who sees and falls in love with a woman he passes by in the street, but he doesn't know how to talk to her. When he finally speaks to her, she disappears and he begins a daily search for her in the area that he has seen her in. During his search, he begins a habit of stopping in a bakery to buy a snack. Over time, the "girl" in the bakery becomes interested in him and he starts flirting with her, and, eventually, convinces her to go on a date with him. Before the date begins, however, he runs into the woman that he was originally searching for and is forced to choose.
Credits
Director (1)
Production and distribution (1)
- Executive Producer : Les Films du Losange
Full credits (6)
- Executive Producer : Barbet Schroeder
- Screenwriter : Éric Rohmer
- Director of Photography : Bruno Barbay
- Assistant Director : Jean-Louis Comolli
- Editors : Jackie Raynal, Éric Rohmer
- Voice : Bertrand Tavernier
Watch this movie
Watch The Bakery Girl of Monceau in VOD
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1963
- Runtime : 26 min
- Production formats : 16mm
- Color type : Black & White
- Aspect ratio : 1.37
- Audio format : Mono
- Rating restrictions : None
News & awards
Selections (2)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
