Synopsis
Ten-year-old Martin must take an alley he doesn’t know to get to his new school. Mysterious Manitout signals to him from behind a dusty window. The old man can make Martin’s satchel come to life. And what if everything left in the old man’s hands could start to work? Thus a world somewhere between the imaginary and wishful comes to life for Martin.
Credits
Director (1)
Production and distribution (3)
- Executive Producer : Antiprod
- Foreign production company : Red Lion
- Film exports/foreign sales : L'Agence du court métrage
Full credits (10)
- Executive Producer : Patrick Maurin
- Screenwriters : Georges Le Piouffle, Zoé Galeron
- Director of Photography : William Waterlo
- Music Composer : André Mergenthaler
- Editors : Thierry Faber, Cédric Defert
- Sound Recordist : Julien Ngo-Trong
- Costume designer : Marie Maurel
- Foreign Producer : Pol Cruchten
- Line Producer : Élie-Alexandre Le Hoangan
- Production Designer : Dominique Pompignan (De)
Watch this movie
Watch Le Manie-Tout in VOD
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama
- Themes : Childhood, Poetry
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2005
- Runtime : 16 min 30 seconds
- Visa number : 110.576
- Visa issue date : 24/06/2005
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby SR
- Rating restrictions : None
News & awards
Selections (3)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
