By continuing to use this website, you agree to the use of cookies in order to offer you content and services that are tailored to your interests.

En savoir plus et gérer ces paramètres[OK]
My Life to Live

My Life to Live

A Feature film by Jean-Luc Godard

Produced by Films de la Pléiade, Pathé Production

Release in France : 20/09/1962


    The film stars Anna Karina, as Nana, a beautiful Parisian in her early twenties who deliberately leaves her husband and her infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitiute. Soon she has a pimp, Raoul, who regularises her work. After an unspecified period Raoul agrees to sell Nana to another pimp. During the exchange the pimps fall out and in a gun battle Nana is killed. Nana's short life on film is told in 12 brief episodes each preceded by a written resume. Godard introduces other idiosyncrasies to focus the viewer's attention.

    The divisions of this film are displayed as intertitles on the screen. These are:

    • Tableau one: A bistro - Nana wants to leave Paul - Pinball
    • Tableau two: The record shop - 2000 francs - Nana lives her life
    • Tableau three: The concierge - The passion of Joan of Arc - a journalist
    • Tableau four: The police - Nana is questioned
    • Tableau five: The outer boulevards - the first man - the hotel room
    • Tableau six: Yvette - a café in the suburbs - Raoul - machine gun fire
    • Tableau seven: The letter - Raoul again - the Champs Élysées
    • Tableau eight: Afternoons - money - wash-basins - pleasure - hotels
    • Tableau nine: A young man - Nana wonders if she's happy
    • Tableau ten: The sidewalk - a man - there's no gaiety in happiness
    • Tableau eleven: Place de Chatelet - the stranger - Nana the unwitting philosopher
    • Tableau twelve: The young man again - the oval portrait - Raoul sells Nana

    Source : Wikipedia

    Actors (23)

    Production and distribution (3)

    Film exports/foreign sales :

    Films de la Pléiade

    Box Office: Total results

    Box office: Timeline

    International releases (6)

    CountryDistributorBuyerRelease date

    Show more

    Show less

    Sorry, your search returned no results.

    TV Broadcasts: Cumulative total

    TV broadcasts: details by country


    Vivre sa vie : film en douze tableaux is a 1962 French film directed by Jean-Luc Godard. The title means "To Live Her Life: A Film in Twelve Scenes", but in the English-speaking world it was released as My Life to Live (North America) or as It's My Life (UK). The most recent DVD releases use the original French title.


    In Vivre sa vie, Godard borrowed the aesthetics of the cinéma vérité approach to documentary film-making that was then becoming fashionable. However, this film differed from other films of the French New Wave by being photographed with a heavy Mitchell camera, as opposed to the light weight cameras used for earlier films. The cinematographer was Raoul Coutard, a frequent collaborator of Godard.

    One of the film's original sources is a study of contemporary prostitution, Où en est la prostitution by Marcel Sacotte, an examining magistrate.

    Vivre sa vie was released shortly after Cahiers du cinéma (the film magazine for which Godard occasionally wrote) published an issue devoted to Bertolt Brecht and his theory of 'epic theatre'. Godard may have been influenced by it, as Vivre sa vie uses several alienation effects: twelve intertitles appear before the film's 'chapters' explaining what will happen next; jump cuts disrupt the editing flow; characters are shot from behind when they are talking; they are strongly backlit; they talk directly to the camera; the statistical results derived from official questionnaires are given in a voice-over; and so on.

    The film also draws from the writings of Montaigne, Baudelaire, Zola and Edgar Allan Poe, to the cinema of Robert Bresson, Jean Renoir and Carl Dreyer. And Jean Douchet, the French critic, has written that Godard's film ' would have been impossible without Street of Shame, Kenji Mizoguchi's last and most sublime film.' Nana gets into an earnest discussion with a philosopher (played by Brice Parain, Godard's former philosophy tutor), about the limits of speech and written language. In the next scene, as if to illustrate this point, the sound track ceases and the images are overlaid by Godard's personal narration. This formal playfulness is typical of the way in which the director was working with sound and vision during this period.

    The film depicts the consumerist culture of Godard's Paris; a shiny new world of cinemas, coffee bars, neon-lit pool halls, pop records, photographs, wall posters, pin-ups, pinball machines, juke boxes, foreign cars, the latest hairstyles, typewriters, advertising, gangsters and Americana. It also features allusions to popular culture; for example, the scene where a melancholy young man walks into a cafe, puts on a juke box disc, and then sits down to listen. The unnamed actor is in fact the well known singer-songwriter Jean Ferrat, who is performing his own hit tune "Ma Môme" on the track that he has just selected. Nana's bobbed haircut replicates that made famous by Louise Brooks in the 1928 film Pandora's Box, where the doomed heroine also falls into a life of prostitution and violent death. In one sequence we are shown a queue outside a Paris cinema waiting to see Jules et Jim, the new wave film directed by François Truffaut, at the time both a close friend and sometime rival of Godard.


    While not being one of Godard's best-known films, Vivre sa Vie enjoys an extremely positive critical reputation. Susan Sontag, author and cultural critic, has described Godard's achievement in Vivre sa vie as "a perfect film" and "one of the most extraordinary, beautiful, and original works of art that I know of." According to critic Roger Ebert, "The effect of the film is astonishing. It is clear, astringent, unsentimental, abrupt."

    Source : Wikipedia

    Photos (4)

    Full credits (20)

    Assistant directors :

    Bernard Toublanc-Michel, Jean-Paul Savignac

    Producer :

    Pierre Braunberger

    Voice-over :

    Jean-Luc Godard

    Sound Recordist :

    Guy Villette

    Assistant Operator :

    Claude Beausoleil

    Editors :

    Agnès Guillemot, Jean-Luc Godard

    Continuity supervisor :

    Suzanne Schiffman

    Director of Photography :

    Charles Bitsch

    Special Effects :

    Jean Fouchet

    Sound Mixer :

    Jacques Maumont

    Author of original work :

    Marcel Sacotte

    Screenwriters :

    Jean-Luc Godard, Marcel Sacotte

    Director of Photography :

    Raoul Coutard

    Sound Assistant :

    Jean Philippe

    Production managers :

    Jean-François Adam, Roger Fleytoux

    Sound Editor :

    Lila Lakshmanan

    Music Composer :

    Michel Legrand

    Costume designer :

    Christiane Fageol

    Make-up Artists :

    Simone Knapp, Alexandre, Jacky Reynal

    Production secretary :

    Ida Fassio

    Technical details

    Feature film

    Genres :


    Sub-genre :

    Drama, Portrait

    Themes :


    Production language :


    Production country :


    Original French-language productions :


    Nationality :

    100% French (France)

    Production year :


    French release :


    Runtime :

    1 h 25 min

    Current status :


    Visa number :


    Visa issue date :


    Approval :


    Production formats :


    Color type :

    Black & White

    Aspect ratio :


    Audio format :


    Posters (9)



    Festival Selections (3)

    AFI FEST - 2012

    AFI FEST (United States, 2012)


    Guest Artistic Director

    Telluride International Film Festival - 2011

    Telluride International Film Festival (United States, 2011)


    Guest Directors Program

    Venice International Film Festival  - 1962

    Venice International Film Festival (Italy, 1962)


    Official Competition


    Venice International Film Festival  - 1962

    Venice International Film Festival (Italy, 1962)

    Awards (3)

    Pasinetti Award

    Special Jury Prize

    Jury Grand Prize