Mookie
Synopsis
In Mexico, a missionary monk named Brother Benoit finds a young chimpanzee by the side of the road. One year later, “Mookie” turns out to be a very special chimp: she can talk! Scientists want to steal her for research. Meanwhile in the same city, a hard-headed French boxer named Antoine Capella refuses the $1,000 he is offered to take a drive. The monk and the boxer have to get out of town. So begin the adventures of this very unlikely trio. And it’s a long way to Mexico City.
Credits
Director (1)
Actors (8)
Production and distribution (3)
- Executive Producer : Renn Productions
- Co-productions : Katharina, TF1 Films Production, Hop La Production
- French distribution : AMLF
Full credits (17)
- Executive Producer : Claude Berri
- Screenwriters : Hervé Palud, Igor Aptekman, Simon Michaël
- Director of Photography : Bernard Lutic
- Music Composer : Manu Katché
- Assistant Director : Renaud Alcalde
- Editor : Roland Baubeau
- Sound Recordist : Jean Goudier
- Costume designer : Martine Rapin
- Line Producer : Pierre Grunstein
- Voice : Michel Élias
- Production Manager : Claude Parnet
- Press Attaché (film) : Dominique Segall
- Assistant editors : Margot Meynier, Frédérique Veillard
- Continuity supervisor : Anne-Marie Garcia
- Production Designer : Ivan Maussion
- Sound Mixer : Thierry Lebon
- Still Photographer : Jean-Marie Leroy
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Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy, Adventure
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1998
- French release : 09/12/1998
- Runtime : 1 h 37 min
- Current status : Released
- Visa number : 88.756
- Visa issue date : 26/11/1998
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : CinemaScope
Box-office & releases
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International releases
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News & awards
Selections (1)
About
I enjoy writing and directing family comedies so there’s no point depriving myself of the pleasure! I thought up ‘An Indian in the City’ in 1994 for my 11-year-old daughter, who was watching only American films because that’s all there was available. Why should the Americans have the monopoly? Eight million people went to see my film. That shows it fulfilled a demand. (Hervé Palud in “Le Figaro”, December 10th 1998)
