Synopsis
In a city haunted by an unseen murderer, a woman roams through the night, hounded by a heavy gambling debt. With nobody to turn to, she is drawn into a vortex in which every face she meets is a reflection of herself, her triumphs and failures.
Credits
Director (1)
Actors (18)
Production and distribution (5)
- Executive Producer : Elzévir Films
- Co-productions : M6 Films, UGC Images
- Foreign production companies : Saga Film, 3 Emme Cinematografica
- Film exports/foreign sales : France tv distribution
- French distribution : ID Distribution
Full credits (17)
- Executive producers : Marie Masmonteil, Caroline Adrian
- Adaptation : Alain Adijes, Éric Woreth
- Screenwriter : Alain Adijes
- Dialogue Writer : Alain Adijes
- Director of Photography : Rémy Chevrin
- Music Composers : Magic Malik, Malik Mezzadri
- Editor : Marcel Pat
- Sound Recordist : Philippe Sénéchal
- Costume designer : Marie-Laure Lasson
- Author of original work : Fredric Brown
- Associate Producer : Yves Marmion
- Line Producer : Hubert Toint
- Press Attachés (film) : André-Paul Ricci, Dany Martin
- Sound Editor : Pierre Choukroun
- Production Designer : Olivier Raoux
- Sound Mixer : Stéphane Thiébaut
- Still Photographer : Pascal Aimar
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Thriller
- Production language : French
- Coproducer countries : Belgium, Italy, France
- Original French-language productions : Unspecified
- Nationality : Majority French (Belgium, Italy, France)
- Production year : 1998
- French release : 05/08/1998
- Runtime : 1 h 30 min
- Current status : Released
- Visa number : 91.690
- Visa issue date : 29/05/1998
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.66
News & awards
About
Eric Woreth’s film is set in the world of gambling. Marthe (Isabelle Renauld) plays a gambler, a night owl married to a businessman (Jean-Marc Barr). Then it happens: the fated night when Marthe plays too high and loses. Her world crumbles. Doors close. Her beauty wilts. The city around her, haunted by an unknown killer, becomes a purgatory. A young woman (Julie Gayet) is the “daytime” side of the husband, whose role has more to it than meets the eye. “One More Glint” investigates the theme of death, constantly at work upon us all, and sketches out the metaphor of destiny, the unique sun that we all have in us, the generator of our shadows. (“Le Soir”, March 12th 1998)