One More Glint

A Feature film of

Éric Woreth

Produced by

Elzévir Films

Production year1998

French release05/08/1998

Runtime1 h 30 min

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Synopsis

In a city haunted by an unseen murderer, a woman roams through the night, hounded by a heavy gambling debt. With nobody to turn to, she is drawn into a vortex in which every face she meets is a reflection of herself, her triumphs and failures.

Credits

Director (1)

Éric Woreth
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Production and distribution (5)

Executive Producer : Elzévir Films

Co-productions : M6 Films, UGC Images

Foreign production companies : Saga Film, 3 Emme Cinematografica

Film exports/foreign sales : France tv distribution

French distribution : ID Distribution

Full credits (17)

Executive producers : Marie Masmonteil, Caroline Adrian

Adaptation : Alain Adijes, Éric Woreth

Screenwriter : Alain Adijes

Dialogue Writer : Alain Adijes

Director of Photography : Rémy Chevrin

Music Composers : Magic Malik, Malik Mezzadri

Editor : Marcel Pat

Sound Recordist : Philippe Sénéchal

Costume designer : Marie-Laure Lasson

Author of original work : Fredric Brown

Associate Producer : Yves Marmion

Line Producer : Hubert Toint

Press Attachés (film) : André-Paul Ricci, Dany Martin

Sound Editor : Pierre Choukroun

Production Designer : Olivier Raoux

Sound Mixer : Stéphane Thiébaut

Still Photographer : Pascal Aimar

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Technical details

Type : Feature film
Genres : Fiction
Sub-genre : Thriller
Production language : French
Coproducer countries : Belgium, Italy, France
Original French-language productions : Unspecified

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About

Eric Woreth’s film is set in the world of gambling. Marthe (Isabelle Renauld) plays a gambler, a night owl married to a businessman (Jean-Marc Barr). Then it happens: the fated night when Marthe plays too high and loses. Her world crumbles. Doors close. Her beauty wilts. The city around her, haunted by an unknown killer, becomes a purgatory. A young woman (Julie Gayet) is the “daytime” side of the husband, whose role has more to it than meets the eye. “One More Glint” investigates the theme of death, constantly at work upon us all, and sketches out the metaphor of destiny, the unique sun that we all have in us, the generator of our shadows. (“Le Soir”, March 12th 1998)