Synopsis
At 17, Amélie leaves her family home, but leaves no address. After a ten-year absence, she returns. Of what was a home, she finds a vacant lot strewn, like before, with wrecked motorbikes, and a wooden shack. Of her family, only her brother Adrien remains, a dreamy drop-out hitting the bottle. Their father is dead. Amélie didn't know. She barely feels any sadness. Instead she sets out to shake those who now live on the wasteland out of their slumber. Her father had built a huge metal sphere for a dare-devil motorcycle number. Amélie learns to ride a bike, masters her dad's routine, and hits the road. Now called "Violetta, Queen of Acrobatics" she travels with her little band in tow. But her enthusiasm masks her inner pain. Amélie has scores to settle. She's chasing her past, and about to catch up with it...
Credits
Director (1)
Actors (14)
Production and distribution (2)
- Executive Producer : Garuda Productions
- French distribution : Rezo Films
Full credits (10)
- Executive Producer : Jean-Louis Monthieux
- Screenwriters : Guy Jacques, Emmanuel List
- Director of Photography : Jérôme Robert
- Music Composer : Jacques Gandon
- Editor : Pauline Dairou
- Sound Recordist : Jean-Pierre Duret
- Costume designer : Madeline Fontaine
- Press Attaché (film) : Marie-Christine Damiens
- Production Designer : Véronique Melery
- Still Photographer : François-Olivier Gouillart
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy
- Themes : Sport
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1997
- French release : 05/11/1997
- Runtime : 1 h 32 min
- Current status : Released
- Visa number : 83.269
- Visa issue date : 02/01/1997
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.85
- Audio format : Dolby A
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News & awards
About
"Here, we don't serve received-idea soup. It's a soup which has turned cinema into a closed universe which feeds of itself in a kind of autarky. You see a young hero and a young heroine. You don't know the story, but one thing is clear, they'll fall for each other... Well, in "Violetta" that's not how things go. Life is not like in the movies... And my films neither, are not like in the movies." (Guy Jacques)