Synopsis
Following a hectic, drunken Christmas Eve party, Rebecca finds herself pregnant. But who's the father? For Rebecca, who was completelydrunk, the evening is a total blur. Her girlfriends, after a crisis meeting, decide to undertake their own investigation. With the help of her brother Julien, a messenger with Charly-Poulet, Rebecca sets out to find the mysterious procreator. This surprise pregnancy is all the more destabilising in that most of the women that Rebecca meets are themselves pregnant.
Credits
Director (1)
Actors (21)
Production and distribution (3)
- Executive Producer : Les Films en Hiver
- Co-production : Les Films des Tournelles
- French distribution : Colifilms Distribution
Full credits (10)
- Executive Producer : Franck Landron
- Screenwriters : Franck Landron, Gilles Cahoreau
- Director of Photography : Benoît Delhomme
- Music Composers : Jean Dindinaud, Nicolas Neidhardt
- Editor : Louise De Champfleury
- Sound recordists : Jérôme Thiault, Cyril Moisson
- Co-producers : Pascal Judelewicz, Anne-Dominique Toussaint
- Press Attaché (film) : Laurent Guyot
- Production Designer : Emmanuelle Duplay
- Sound Mixer : Hervé Guyader
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1996
- French release : 27/08/1997
- Runtime : 1 h 40 min
- Current status : Released
- Visa number : 89.662
- Visa issue date : 08/07/1997
- Approval : Yes
- Production formats : 35mm
- Color type : Color
Box-office & releases
TV broadcasting
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News & awards
Selections (1)
Cairo - International Film Festival
Egypt, 1997
Out of Competition
About
"When you work in an improvised manner, the first five minutes are like finding your feet, an actor's warm-up. Then comes the natural, just-right phase, and then it falls off; there's repetition, the subject matter dissolves, and that's not good. Improvisation doesn't mean starting from nothing. You must establish a situation for each role, both a past and something at stake, so that each actor has a position to defend, so as to create tension and conflict. In fact it resembles classic scriptwriting, you have to start by defining the roles, sketching the characters, establishing their situations." (Franck Landron)