In the Country
Synopsis
Benoît, Pablo, Emile and Gaston have left Paris to live in the country, changing their lives. They all live in houses near the village. Benoît meets Lila who arrives from the city, a little lost. Their encounter leads to intense and passionate love. However, one day Lila leaves without telling Benoît...
Credits
Director (1)
Actors (16)
Production and distribution (4)
- Executive Producer : Salomé
- Co-productions : M6 Films, Ahora Film
- Film exports/foreign sales : Tamasa Distribution
- French distribution : Diaphana
Full credits (13)
- Executive Producer : Maurice Bernart
- Screenwriter : Manuel Poirier
- Director of Photography : Nara Keo Kosal
- Music Composer : CharlElie Couture
- Assistant Director : Christian Portron
- Editor : Hervé Schneid
- Sound Recordist : Jean-Paul Bernard
- Costume designer : Sophie Dwernicki
- Line Producer : Alain Centonze
- Production Manager : Bernard Bolzinger
- Press Attaché (film) : Thierry Lenouvel
- Production Assistant : Florence Leonnet
- Production Designer : Stéphane Andrieu
Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1994
- French release : 05/04/1995
- Runtime : 1 h 45 min
- Current status : Released
- Visa number : 85.229
- Visa issue date : 15/12/1994
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.85
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About
Benoît Régent made his stage début in 1970 in Claudel's "Tête d'or", directed by Denis Llorca. He worked solely on the stage for about ten years, with a preference for the classical repertoire. He appeared in "Oedipe Rex" and "Le Misanthrope", directed by Jean-Paul Roussillon and "Othello", directed by Hans-Peter Cloos, the most remarkable of more than twenty roles. He made his screen début in 1982 without turning back on the stage. He met with equal success on stage, in films or on television. His sudden death put an end to a rich and surprising career (Krzystof Kieslowski's "Blue", Jacques Doillon's "Germaine et Benjamin"...) just as cinema was finally giving him roles worthy of his talent.
