Synopsis
Mansour, a lonely young man, has an appointment with Laurence, a student he is paying to spend the night with him. The contract is clear, but the contours are cracking.
Credits
Director (1)
Production and distribution (1)
- Executive Producer : Société Acéphale
Full credits (17)
- Executive Producers : Lorenzo Bianchi, Anthony Lapia
- Screenwriters : Albertine Magnard, Lucas Duchemin
- Director of Photography : Robin Fresson
- Music Composers : Max Ferrère, John Ferrère
- Assistant director : Lucie Madec
- Editor : Joran Leroux-Gipouloux
- Sound Recordist : Léo Caresio
- Costume designer : Anna Carraud
- Associate producer : Natalia Wiszniewska
- Assistant Operators : Louis Sciara, Tony Trepon
- Production manager : Lysa Lamorisse
- Sound Editor : Yannis Do Couto
- Continuity supervisor : Clara Gosselin
- Production Designer : Wenael Dard
- Grader : Emmanuel Fraisse
- Make-up Artist : Tom Savonet
- Sound Mixer : Lucas Le Néouanic
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama
- Themes : Fantasies, Prostitution, Harassment/bullying
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2025
- Runtime : 27 min 51 seconds
- Visa number : 156.221
- Visa issue date : 16/09/2025
- Production formats : HD
- Color type : Color
- Aspect ratio : 4/3
- Audio format : Digital 5.1
Resources
Festivals Listing(1)
DownloadMuscle
(pdf - 20 Ko)
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
