Synopsis
A freshly retired man doesn't know how to spend his time. For fear of being wiped out by boredom, he gets involved in the crazy project of building a boat in the cellar of his suburban house.
Credits
Director (1)
Actors (4)
Production and distribution (2)
- Executive Producer : La Voie Lactée
- Co-productions : Alpaga Films, Innervision, Sleak
Full credits (19)
- Executive Producers : Nathalie Algazi, François Drouot, Marie Sonne-Jensen
- Screenwriter : Yannick Karcher
- Director of Photography : Hervé Roesch
- Music Composer : Christian Houllé
- Assistant directors : Gilles Reppert, Mathilde Barbier
- Editors : RIchard Knipper, Mathieu Z'Graggen
- Sound recordist : Aline Huber
- Costume designer : Julie Ancel
- Author of original work : Mick Jackson
- Assistant Operators : Farès Messaoud, Ahmed El Losy, Louis Stoltz
- Production manager : Marie Sonne-Jensen
- Sound editor : Aline Huber
- Continuity supervisor : Anne Fromm
- Production Designer : Jean-François Sturm
- Casting : Jonathan Schall
- Special Effects : Henri Gander
- Grader : Yves Brua
- Make-up Artist : Laure Giroult
- Sound Mixer : Régis Diebold
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Fairy tale, Fantasy
- Themes : Death, Imagination, Ageing
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2020
- Runtime : 15 min 39 seconds
- Visa number : 152.758
- Visa issue date : 01/04/2021
- Production formats : Digital video
- Color type : Color
- Aspect ratio : CinemaScope
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (5)
Resources
Festivals Listing(1)
DownloadCharon
(pdf - 67 Ko)
Website(1)
https://www.facebook.com/charonlefilm/
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.






































