Synopsis
Confronted with grief, Louise and Manu have two very different ways of reacting. While Manu decides to keep moving ahead, Louise is disoriented. Literally so. She can only move forward backwards. One day, she encounters Camille who reassures her about her state and reveals the existence of discreet community: those who live better from the back. Louise discovers with them that it's possible to move forward from the back.
Credits
Director (1)
Actors (3)
Production and distribution (3)
Full credits (19)
- Executive Producers : Boris Mendza, Gaël Cabouat, David Atrakchi
- Screenwriter : Mélanie Doutey
- Director of Photography : Matthieu Le Bothlan
- Music Composer : Pascal Sangla
- Assistant Director : Michaël De Nijs
- Editor : Amélie Massoutier
- Sound Recordist : Dominique Warnier
- Costume designer : Sybille Langh
- Foreign producers : Nadia Khamlichi, Adrian Politowski, Cédric Iland, Sylvain Goldberg
- Executive Producer : Marie Carrot
- Assistant Operator : Loïc Carrera
- Camera Operator : Nicolas Savary
- Production Manager : Charles Barberousse
- Sound editor : Lise Bouchez
- Continuity supervisor : Céline Savoldelli
- Production Designer : Ravit Bechor
- Casting : Beatriz Coutrot
- Make-up Artist : Koko Charki
- Sound Mixer : Lionel Guenoun
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Technical details
- Type : Short film
- Genres : Fiction
- Themes : The absurd, Friendship, Family, Death, Imagination
- Production language : French
- Premier pays de production : France
- Coproducer countries : France (85.0%), Belgium (15.0%)
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Belgium)
- Production year : 2019
- Runtime : 11 min 58 seconds
- Visa number : 153.658
- Visa issue date : 15/12/2020
- Production formats : HD
- Color type : Color
- Aspect ratio : CinemaScope
- Audio format : Dolby 5.1
- Rating restrictions : None
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
